How to Use a Loop Pedal

The lifestyle of a musician with an instrument such as the guitar is solitary. Playing double strings is a laudable but limited effort; we often console ourselves with pre-recorded accompaniments that do not help us to follow our wonderful inner rhythm, our beautiful rubbles and senses.

We have no choice but to join other musicians such as pianists, bassists, other string instruments. Most often when we start playing the guitar, we buy a small amplifier for home. The most veteran are open with a very fast, while many more come with multiple amplifiers, which usually have memories, USB and numerous options, that everything is integrated and ready to use. There’s no reason to find that techniques when it comes to using the built-in effects. However, when we guitarists progress and want to make the leap to the stage, we usually acquire a larger amplifier. When reviewing the specifications of many of us, the connection called “effects loop” or “effects loop” appears. Here is what it sounds like.

What is an effects loop, where to find best loop pedals?

As its name suggests, the connection known as a loop is related to the use of effects. It consists of an exit and an entrance to which you can connect our chain of effects, either pedals or rack units. As we will explain in more detail throughout the article, its mission is to be able to locate effects after coloring the last name of our
amplifier. You can find a great review of boss loop pedals here.

How to use it, and for what?

We are sure that we have heard that the order in which we place the effects on our pedalboard is very important. If our distortion comes from a pedal, it is as simple as connecting the reverbs and delays behind it but, what if we use mostly the distortion of our amplifier ?. Connecting our delay or reverb to the input will cause the queues left by the effect to be distorted as well, something we will notice especially when using high gain sounds. The
sound will be much more diffuse or almost dissonant, but it does not have to be bad: we could even look for it on purpose for certain musical styles.

Thanks to the loop, we can:

Extract the signal just left from the preamp of our amplifier (the section where the signal is distorted, or (colored) by the output jack called send.

Connect it to the desired effects

After being processed, return +it to our amplifier through the input jack return, ready to be amplified and
emitted by the speakers. Get with it a little extra definition, a greater perception of separation between original signal and effect and stereo advantages.

Does the loop only matter if I use distortion?

Although moderately, the clean channel of our amplifier also colors our effects. Generally, they tend to sound brighter by the input, and somewhat more muted by the loop, and the perception of volume of the signal with effect may also be somewhat different, due to the natural compression of the preamp of our amp. The preamp of our
amplifier has its character, so we must decide in each case if we want our effects to be drenched or not their characteristic color.