MORPHEUS
MUSIC INTERVIEW - BALLIGOMINGO
15.03.09 - on release
of Under An Endless Sky.
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| Q:
How did Balligomingo become a "band"?
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Musical magnetism between the
3 of us.
I originally moved to Canada and payed Delerium 25% of my
life savings ($4k) to produce a few songs on my album, which
already had a recording contract.
At the same time, Vic Levak was working with one of their
singers and we met at her show. We hit it off and I began
to work with him on the side.
The songs with Delerium sounded like Delerium, and the songs
with Vic felt like they could be Balligomingo. Long story
short, Vic and I recruited singers and Jody was one of the
last. She was in Hush Sound working on her solo material when
I walked in and heard her voice.
Over the last few years, Jody has been a critical element
in writing lyrics and vocal melodies with us.
It was a no brainer that we were a group - whether we wanted
to be or not.
The first album was more of my own project with Vic really
helping to make it happen, and this album relies more heavily
on the talents all 3 of us, and I believe the results speak
for themselves.
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Q:
What kept Balligomingo off the radar
for so long following the first album? |
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Nothing other than life just
happening.
The project was something that hit quickly and we rushed to
deliver the first album with really no idea of what we were
doing. There was just this record deal in place that put a
deadline in front of us were were all racing to meet. After
which - we went our separate ways and were countries apart.
Clive Davis took over BMG & nixed the sub-label we were
on, leaving our project homeless for the 2nd album.
I got married, started a business and had a baby and Jody
did the same.
Vic & Jody worked together in Canada on their own material
and we kept in touch trying to keep the idea of another Balligomingo
album alive.
Vic vacationed in my home town of Sedona, and we worked on
a few ideas that didn't take root for another year, mainly
because my business was eating all my time. I really thought
the 1st album was it and there wouldn't be another. Vic was
really the driver pushing us all to get back to work. Life
gets busy and its hard to find the time to coordinate the
variables you need to make an album - but Vic handed out deadlines
and we all pushed hard to meet them. |
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| Q:
What lead to the commencement of the
new album? |
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In my opinion, the first album
was the realization of an idea I had before I knew I had an
adequate amount of musicianship. There was always a strong
urge to create sound tracks to my own adventures either through
my favorite bands or creating the sounds myself.
'Beneath the Surface' was the first attempt at being creative
and in my opinion nothing more than a finger painting that
a parent puts on the fridge. Its nice - but there is so much
more possible once you learn more skills. I think many bands
have scores of songs written before any get released - we
really didn't.
Most of our first songs went out right away and in retrospect,
I feel we needed lots more polish.
When people compare us to other bands - it really tells me
I tried too hard to recreate what I liked in other bands rather
than coming up with something new - a distinctive Balligomingo
sound.
Vic & I both agreed that we needed to tell our own story
in our own way and that involved getting Jody on board full
time. Its much easier to stay on track when you are a cohesive
group and not working with different vocalists over &
over. That was actually an inhibiting factor that caused more
problems than it solved.
To us - its about creating a journey that hasn't been traveled
before. We felt obligated to not let the first album define
who we are or want to become and thus felt a new album was
paramount. |
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Q:
What can the fans expect from the new material?
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Under an Endless Sky is organic
- a recording of live instruments whenever possible with
a story to each song. Vic has an amazing ability to make
an electric guitar sound intoxicating & ethereal and
its really become the core sound of this album. Jody &
Rebecca's vocals really pull it all together and I've done
my best to arrange the parts into an intricate journey.
When Vic first sent guitar parts with hypnotic delay settings
under Jody's voice - I instantly felt a new sonic journey
and I felt a reason to keep going. I'm very happy with the
results and feel good that we tried our best to be original,
and I hope the fans like it.
For example - my favorite track is "Letting Go"
because just when you think you know where its going - you
head into another dimension and the song takes the listener
somewhere completely new. |
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Q:
How would you say
your sound differs now from 'Beneath The Surface'?
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90 degrees
different on some songs and 180 degrees on others. For one,
the worst part of the first album was the endless hours
of programming sounds.
Not only did I hate the experience, I felt they weren't
much different than some other great bands of our genre,
making us always following, rather than heading off into
our own direction.
Vic's guitar brought new possibilities for unique sounds
and ironically required much less programming. I would say
this album is much simpler yet more complex.
I just hope our listeners enjoy the results of the work
that went into layering the guitar the way we have.
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Q:
What's happening with the Balligomingo
website - can we expect a relaunch? |
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Its a work in progress. We currently
have posted updates and hope to have samples up shortly. |
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Q:
When can we hope to get our hands on
the finished product?
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We initially
signed a publishing deal with Chrysalis and intended to release
it independently.
However, our previous BMG A/R rep has signed us to his label
which should extend our reach.
We're sure to have the album out in a month or two - it is
ready! |
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This interview will hopefully
be followed up by a more complete discussion on release of
the album in due time.
We're looking forward to this one. |
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| Thanks
to Garrett, Vic and Jody for allowing us that interview.
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